Tuesday, August 17, 2010
Bugs and Super-bugs
Sunday, August 15, 2010
Hosting, and guesting in the 21st century
I have had many good experiences with hosting people here in India, and aside from being really busy with research I am definitely willing to host more. The main challenge is going back to show people sites that I have seen a million times by now. Still the temple here in Thanjavur is so beautiful, I don't really mind.
Even though I have had all good experiences I wanted to post these links: How to be the perfect host in the 21st century, and How to be the perfect guest in the 21st century, both by LifeHacker. I found both articles to be great guides, especially conscious of changing etiquette in the modern world.
Monday, August 09, 2010
Profile in SPAN Magazine
"Fulbright grantee Gwen Kelly is analyzing beads, bangles and pottery pieces from the 2,000-year-old Kadebakele excavation site in Karnataka to discover how and why economic and social connections changed in that ancient society. Preparing her Ph.D. thesis for the University of Wisconsin, Kelly has also lectured, in Tamil, to students at the Tamil University in Thanjavur and has founded the International Association for Women Archaeologists Working in South Asia. A talk on her research is scheduled at Fulbright House in New Delhi on July 31. www.iawawsa.org"
This is the profile of me in SPAN Magazine, the U.S. State Department in India's monthly magazine. It's short, and not entirely accurate. But oh well. The photo is indeed from the site of Kadebakele, in Karnataka, though that's not where I do my primary research. Also Kadebakele is much more than 2000 years old, it's at least 3000 years old. At least they got the name of IAWAWSA out there, along with the URL. Plus the magazine is online, and the piece about me can be found here.
It started in June when someone from the magazine contacted me and said they do a series on Fulbrighters, and they'd like to do a profile on me. Below is the (abridged) email correspondance that went into producing this piece.
In order to give my readers the kind of information that might have been in the profile (that I sort of hoped would be in the profile), I'm attaching an abridged version of the email correspondance here. In these emails I tried to explain what it is that I do, and why it's important. I am mildly annoyed with the magazine for the briefness and the inaccuracy, but my reason for putting up this email correspondance isn't to accuse them of anything. I understand they probably only planned a one-paragraph short profile anyway, and that's fine. But because I spent a significant amount of time writing these emails, trying to put what I do in to a non-academic, non-jargony framework, I thought maybe that effort shouldn't go to waste. What I wrote about myself and my work might still be of some use and interest to people, even if it didn't get printed in the magazine.
I am honored that you have asked, and I would be happy to appear in
your magazine. I am attaching my CV, which may give you some
additional information about my background.
I wanted to be an archaeologist since I was 7 years old. I became
interested in South Asia while studying in my first year of my
bachelors degree. I first came to India in 2001 as a volunteer on an
excavation in Rajasthan. Starting during my undergraduate studies, I
was most intensely interested in South India, and this led me to study
Tamil language intensively both in the US and in India, and focus my
research interest in Tamil Nadu, Kerala and Karnataka. I have worked
on archaeological projects in these three states as well as in
Rajasthan.
My dissertation research developed because of my interest in the
connection between society and economy. It became clear after reading
about the Iron Age and Early Historic periods in South India, that
there still is no consensus about the nature of social and economic
organization over this long time period, or how it changed. In order
to begin to address this question, I decided to focus on a site that
had already been excavated. The site is Kodumanal, located in Erode
District, Tamil Nadu, near the foothills of the Western Ghats. This
site is important, and useful for trying to understand social and
economic organization because there is evidence that people at the
site were involved in the production of beads and ornaments in
semi-precious stones, and that they were linked to the Indian Ocean
and Roman trade in the Early Centuries AD. By analyzing the
archaeological materials, beads, pottery, shell and glass bangles,
etc., I am hoping to be able to reconstruct aspects of the social and
economic organization of the time. In addition to looking at
artifacts, my methodologies also include interviewing modern potters
about their craft and techniques, and conducting experiments in the
manufacture of all of these crafts, to better understand how they were
made in the past. This understanding of technology, and the different
stages of production can tell us how that production can be organized
in different ways, reflecting aspects of social and economic control
or exploitation.
In addition to my research, I have also started an organization, the
International Association for Women Archaeologists Working in South
Asia (www.iawawsa.org). The organization is inclusive of both women
and men, but aims at supporting and encouraging women to pursue
careers in archaeology in South Asia. The goal of the organization is
to promote women's rights and equality in the workplace and the
professional domain of archaeology. One aspect of this is to connect
researchers from both inside and outside South Asia who share research
interests. It is an international network with members currently in
seven countries, both in South Asia and abroad.
As for the picture, unfortunately most of the time I am holding the
camera, and there aren't that many pictures of me doing my work.
There are a few pictures of me taken by others, and one in particular
that I'm thinking of, and I will contact them to see if they are
willing to have that picture published. I assume they will say yes,
but I want to make sure first.
Please let me know if you have any other questions, or would like a
longer or more detailed description of my work. I tried to be brief,
but I really don't know what you are looking for. So do let me know if
there is anything else I can tell you.
Best,
Gwen Kelly
Dear Gwen,
The editor and the studio has approved the photo quality and thanks for the additional info. The editor wants to know more about your work here on your current Fulbright and what are you doing at the university or with them.
Thanks again for your patience and time.
Best.
Y
Hello Gwen,
Wondering if you received the attached mail I forwarded to you by the Editor.
Thanks.
Y
---------- Forwarded message ----------
From: L
To: Y
Date: Wed, 9 Jun 2010 11:16:14 +0530
Subject: RE: Fulbrighters in India
Thanks, Gwen for the additional information.
1) Once you look at the artifacts, then what? Do you note things down about them? What do you note down? How will what you have observed and recorded be used? Who will use it? For what?
2) 2) Regarding your research, what are you researching? (theme, focus, aim, etc.?) Will you be producing a paper? If so, for whom? A lecture? If so for whom?
3) Thanks again. And great picture.